Surrealism Is 100. The World’s Still Surreal.

“It’s the transformative nature of Surrealism that continues to make it relevant,” Allmer said. “Surrealism is inherently political. It started as a protest movement and a way to counter fascism and authoritarianism, so that’s why it still can be a very powerful political weapon for today. It will always be relevant. I would say, it’s a future movement.”

“Imagine! 100 Years of International Surrealism”
Through July 21 at the Royal Museums of Fine Arts Belgium, in Brussels;

“Histoire de ne pas rire. Surrealism in Belgium”
Through June 16 at Bozar, in Brussels;

“Fantastic Visions: 100 Years of Surrealism From the National Galleries of Scotland”
Through Aug. 31 at the Museum of Art Pudong, in Shanghai;

“Surrealist: Lee Miller”
Through April 14 at the Heide Museum, in Melbourne, Australia;

“But Live Here? No Thanks: Surrealism + Anti-Fascism”
Oct. 15 through March 2, 2025, at the Städtische Galerie im Lenbachhaus, in Munich;

“Surrealism at the Harn,”
Through June 2 at the Harn Museum of Art, in Gainesville, Fla.;

“Surrealism From Caribbean and African Diasporic Artists”
March 10 through July 28 at the Modern Art Museum of Fort Worth;

“Surrealism 100: Prague, Tartu and Other Stories”
April 4 through Sept. 8 at the Eesti Rahva Muuseum, in Tartu, Estonia;

“Surrealism: Worlds in Dialogue”
Aug. 31, 2024, through Jan. 5, 2025, at the Kunsthalle Vogelmann, in Heilbronn, Germany;

“Surrealism So Far”
Sept. 4 through Jan. 13, 2025, at the Pompidou Center, in Paris;

“Forbidden Territories: 100 Years of Surreal Landscapes”
Nov. 23 through April 27, 2025, at the Hepworth Wakefield, in Wakefield, England;

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